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Mating-behaviour of
simple-structured quadrupeds. Kathmandu/Nepal 2002 |
UNRECOGNIZED SCULPTURES
There are situations which grow beyond their original purpose.
Somebody brings an arm-chair to the shore or somebody
nails up a shopwindow with boards, a metal barricade
sinks into the tarmac or two old shoes are left on the pavement
- there are always reasons why. Somebody had a plan
and created facts. Things were stored away, covered, left
standing around or perhaps even decorated. There are
situations where passing by I cannot see what the intentions
had been. But these are exeptions.
Everything would remain in the realm of the 10000 things
and purposes if there wasn't the viewer or rather a mental
attitude which is able to perceive the facts beyond their intended
nature. All these situations contain a little of the
freedom we are usually talking about in terms of "sculpture". Intended arrangements can turn into nonintended
sculptures. What catapults them out of their original
purpose, touches us as something absurd, kitschy, futile
or wretched. A kind of failure leads to a successful "sculpture".
Or something misfitting, awkward, neglected. For me
as a passer-by (- that's all I am in this moment and all I
would remain if I hadn't a Minox-camera in my pocket -)
these situations blast their original purposes and thus create
space, necessary space for stories, comments, the games
of the mind.
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A few steps downhill
behind this bakery we had to cross a wabbly wooden bridge. Kalopani/Nepal 2002 |
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The confusion of mankind
in its self-created system. Figueira da Foz/Portugal 1997 |
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To be present in the everyday life
of the humans, the gods are not afraid to use materials of inferior quality. Pai/Thailand 2004 |
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Did God too wipe the
sweat
off his brow after he had completed creation? Rumbach/Germany 2003 |
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The curtain has been dropped
and the actors have gone. The only thing left is a drapery of ghost-like beauty. Lauenburg/Switzerland 1999 |
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At a dull day like this
citizens think they are liable to park their thoughts right here. Offenbach/Germany 2004 |
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Everybody finds his place in space -
but according to which rule, we cannot see. So we talk in terms of "random". Sirmione/Italy 1996 |
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In view of such freedom and
skills of choosing the right media, all I could do is bow silently and move on. Stranraer/Scotland 1997 |
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Guarded by the herd
a peaceful rest is possible. Connemara/Ireland 2003 |
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Download catalogue
Thomas Dahmen, unrecognized sculptures
(pdf 0,5 MB) |
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